Hybridisations, couplings of shapes, zoo– and geomorphisms: for four years, over the brilliant course that followed his degree at the Eindhoven Design Academy, Nacho Carbonell has continuously developed an experimental work with powerfully narrative implications, liberating itself from conventions to push established boundaries back even further – those which distinguish between design and contemporary art, functional use and sculpture, restraint and exuberance, beauty and ugliness, violence and gentleness. Read the rest of this entry »
